Letting it go /
Material type:
TextPublication details: Montréal : Drawn & Quarterly, 2013Edition: 1st edDescription: 1 volume (unpaged) : color illustrations ; 26 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9781770461031; 1770461035Subject(s): Katin, Miriam -- Comic books, strips, etc | Holocaust survivors -- Biography -- Comic books, strips, etc | Illustrators -- United States -- Biography -- Comic books, strips, etc | Women illustrators -- United States -- Biography -- Comic books, strips, etc | Mothers and sons -- Comic books, strips, etc | Graphic novels | Berlin (Germany) -- Comic books, strips, etcGenre/Form: Graphic novels. | Graphic novels -- Canada. | Autobiographical comic books, strips, etc. DDC classification: 741.5/973 LOC classification: NC975.5.K38 | A2 2013Summary: A Holocaust survivor and mother, Katin's world is turned upside down by the news that her adult son is moving to Berlin, a city she's villainized for the past forty years. As she struggles to accept her son's decision, she visits the city twice, first to see her son and then to attend a museum gala featuring her own artwork. What she witnesses firsthand is a city coming to terms with its traumatic past, much as Katin is herself.
| Item type | Current library | Call number | Status | Date due | Barcode | Item holds |
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Books
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Main Library | GN .K196 2013 (Browse shelf (Opens below)) | Available | 17407 |
Total holds: 0
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| GN .H829 2011 The kite runner graphic novel / | GN .I263 2020 The rose of Versailles. Volume 1 / | GN .K196 2006 We are on our own : | GN .K196 2013 Letting it go / | GN .K754 2019 Gender queer : | GN .K821 2017 The life-changing manga of tidying up : | GN .L478 2018 To kill a mockingbird / |
A Holocaust survivor and mother, Katin's world is turned upside down by the news that her adult son is moving to Berlin, a city she's villainized for the past forty years. As she struggles to accept her son's decision, she visits the city twice, first to see her son and then to attend a museum gala featuring her own artwork. What she witnesses firsthand is a city coming to terms with its traumatic past, much as Katin is herself.