000 | 03904cam a22005417i 4500 | ||
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999 |
_c9652 _d9653 |
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001 | 921987809 | ||
003 | OCoLC | ||
005 | 20180620154359.0 | ||
008 | 170411t20162016gw a 001 0 eng d | ||
010 | _a2016439801 | ||
020 | _a3836555395 | ||
020 | _a9783836555395 | ||
035 | _a.b83655736 | ||
035 | _a(OCoLC)921987809 | ||
040 |
_aYDXCP _beng _erda _erda _cDLC _dYDXCP _dZAC _dBDX _dJQM _dOCLCF _dCLE _dUAB _dBNG _dIGA _dOCLCO _dUKTTE _dOCLCQ _dUtOrBLW |
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041 | 1 |
_aeng _hger |
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042 | _alccopycat | ||
049 | _aOSUU | ||
050 | 0 | 0 |
_aN447 _b.M64613 2016 |
050 | 0 | 0 |
_aN447 _b.M64613 2016 |
082 |
_a709.04 _b.H762 2017 |
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130 | 0 |
_aModerne Kunst. _lEnglish _98937 |
|
245 | 1 | 0 |
_aModern art / _cwith essays by Dietmar Elger [and 10 others] ; edited by Hans Werner Holzwarth and Laszlo Taschen ; translations, Christopher Cordy [and 6 others] |
246 | 1 |
_iSubtitle on cover: _a1870-2000, impressionism to today |
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264 | 1 |
_aKöln : _bTaschen, _c[2016] |
|
264 | 4 | _c©2016 | |
300 |
_a693 pages : _billustrations (some color) ; _c21 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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490 | 1 | _aBibliotheca universalis | |
500 | _a"With essays by Dietmar Elger, Anne Ganteführer-Trier, Karin H. Grimme, Barbara Hess, Hans Werner Holzwarth, Klaus Honnef, Cathrin Klingsöhr-Leroy, Sylvia Martin, Daniel Marzona, Kerstin Stremmel, Norbert Wolf." | ||
500 | _aOriginal edition: Taschen, 2011 | ||
500 | _aIncludes index | ||
505 | 0 | _aModern art -- Impressionism -- Symbolism -- Cubism -- Expressionism -- Futurism -- Abstract art -- Dadaism -- Realism -- Surrealism -- Abstract expressionism -- Pop art -- Minimal art -- Conceptual art -- Post-modernism | |
520 | _aModern matters: A blow-by-blow account of groundbreaking modernism The modern art adventure began roughly 150 years ago in Paris. A circle of painters, whom we now know as Impressionists, began painting pictures with rapid, often impasto, strokes. They turned to everyday street life for subjects, instead of overblown heroic scenes, and they escaped the power of the establishment salon by organizing their own independent exhibitions. After this first assault on standard academic practice, there was no holding back. In a constant desire to challenge, innovate, and inspire, one modernist style supplanted the next: Symbolism, Expressionism, Futurism, Dada, Abstract Art, renewed Realism, Surrealism, Abstract Expressionism, Pop, Minimal and Conceptual Art. This indispensable overview traces the restless energy of modern art with a year-by-year succession of the groundbreaking artworks that shook standards, and broke down barriers. Each of these stand-out pieces is accompanied by a text profiling the artist and discussing the importance of their work. Introductory essays, meanwhile, explain the most significant modernist movements | ||
546 | _aTranslated from the German | ||
650 | 0 |
_aArt, Modern _y19th century. _0http://id.loc.gov/authorities/subjects/sh85007798 _98938 |
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650 | 0 |
_aArt, Modern _y20th century. _0http://id.loc.gov/authorities/subjects/sh85007805 _98939 |
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650 | 0 |
_aArt movements _xHistory _y19th century _98940 |
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650 | 0 |
_aArt movements _xHistory _y20th century _98941 |
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650 | 0 |
_aPainting, Modern _y19th century. _0http://id.loc.gov/authorities/subjects/sh85096791 _98942 |
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650 | 0 |
_aPainting, Modern _y20th century. _0http://id.loc.gov/authorities/subjects/sh85096801 _98943 |
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655 | 7 |
_aHistory. _2fast _0(OCoLC)fst01411628 _92069 |
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700 | 1 |
_aElger, Dietmar, _econtributor. _0http://id.loc.gov/authorities/names/n81115987 _98944 |
|
700 | 1 |
_aCordy, Christopher, _etranslator. _0http://id.loc.gov/authorities/names/no97030510 _98945 |
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700 | 1 |
_aTaschen, Laszlo, _eeditor. _0http://id.loc.gov/authorities/names/nb2010024046 _98946 |
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700 | 1 |
_aHolzwarth, Hans Werner, _eeditor. _0http://id.loc.gov/authorities/names/nr94026414 _98947 |
|
830 | 0 |
_aBibliotheca universalis (Taschen (Firm)) _0http://id.loc.gov/authorities/names/no2015113190 _98948 |
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942 |
_2ddc _cBK |